Oil On Canvas, Real Flavor of Old Masters

All LONGHI, Pietro 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
7979  
Duck Hunters on the Lagoon s, LONGHI, Pietro
  		 Duck Hunters on the Lagoon s   c. 1760 Oil on canvas Pinacoteca Querini Stampalia, Venice
41218  
Duck Shoot on the Lagoon, LONGHI, Pietro
  		 Duck Shoot on the Lagoon   mk157 c.1760 Oil on canvas 57x74cm
7986  
Il Ridotto sg, LONGHI, Pietro
  		 Il Ridotto sg   1740s Oil on canvas Accademia Carrara, Bergamo
7982  
Painter in his Studio sg, LONGHI, Pietro
  		 Painter in his Studio sg   1740-45 Oil on canvas Ca' Rezzonico, Venice
7983  
Patrician Family wg, LONGHI, Pietro
  		 Patrician Family wg   c. 1752 Oil on canvas Ca' Rezzonico, Venice
7977  
The Concert ef, LONGHI, Pietro
  		 The Concert ef   1741 Oil on canvas, 60 x 48 cm Gallerie dell'Accademia, Venice
7978  
The Confession sg, LONGHI, Pietro
  		 The Confession sg   Oil on canvas, 61 x 50 cm Galleria degli Uffizi, Florence
7989  
The Little Concert sg, LONGHI, Pietro
  		 The Little Concert sg   1746 Oil on canvas, 50 x 62 cm Pinacoteca di Brera, Milan
21920  
The Rhinoceros (mk08), LONGHI, Pietro
  		 The Rhinoceros (mk08)   c.1751 Oil on canvas 62x50cm Venice,Ca'Rezzonico
7984  
The Rhinoceros sg, LONGHI, Pietro
  		 The Rhinoceros sg   1751 Oil on canvas, 62 x50 cm Ca' Rezzonico, Venice
7985  
The Ridotto sg, LONGHI, Pietro
  		 The Ridotto sg   1740's Oil on canvas Raccotta Salon, Venice
7987  
The Soothsayer f, LONGHI, Pietro
  		 The Soothsayer f   c. 1750 Oil on canvas, 60 x 48 cm Gallerie dell'Accademia, Venice
7991  
The Spice-vendor's shop g, LONGHI, Pietro
  		 The Spice-vendor's shop g   c. 1752 Oil on canvas, 60 x 48 cm Gallerie dell'Accademia, Venice
7988  
The Tailor sf, LONGHI, Pietro
  		 The Tailor sf   1741 Oil on canvas Gallerie dell'Accademia, Venice
7990  
The Tooth Puller g, LONGHI, Pietro
  		 The Tooth Puller g   1746 Oil on canvas, 50 x 62 cm Pinacoteca di Brera, Milan
21921  
The Tooth-Puller (mk08), LONGHI, Pietro
  		 The Tooth-Puller (mk08)   c.1746-1752 Oil on canvas, 50x62cm Milan,Pinacoteca di Brera
7981  
The Venetian Lady's Morning s, LONGHI, Pietro
  		 The Venetian Lady's Morning s   c. 1741 Oil on canvas, 60 x 49 cm Gallerie dell'Accademia, Venice
7992  
Vendor of Roast Meat sg, LONGHI, Pietro
  		 Vendor of Roast Meat sg   c. 1757 Oil on canvas Ca' Rezzonico, Venice
LONGHI, Pietro
Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting.



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